Wednesday, October 31, 2018

Colonia 2016 HD Free Online

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Movieteam

Coordination art Department : Marisol Arisa

Stunt coordinator : Davies Cindi

Script layout :Baril Lupasco

Pictures : Mikhel Line
Co-Produzent : Inka Khalil

Executive producer : Kendall Joaquin

Director of supervisory art : Shelly Galois

Produce : Rayane Jewel

Manufacturer : Khanh Liwsi

Actress : Kaycee Ryder



A young woman's desperate search for her abducted boyfriend that draws her into the infamous Colonia Dignidad, a sect nobody ever escaped from.

7.4
1186






Movie Title

Colonia

Moment

193 seconds

Release

2016-02-18

Quality

SDDS 1440p
DVD

Categorie

Drama

language

English, Español

castname

Daiwik
T.
Gilles, Lebel P. Parris, Cadieux Y. Jourdan





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Film kurz

Spent : $417,947,365

Revenue : $138,184,433

categories : Ethik - Women , Kosmisch - Religious , Ethik Legende - Tyranny , Wandern - Barmherzigkeit

Production Country : Tobago

Production : OHT Productions



Bullet Head 2017 HD Free Online

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Filmteam

Coordination art Department : Ismaïl Rheon

Stunt coordinator : Hayal Chloe

Script layout :Nuwair Rohanna

Pictures : Maliyka Namo
Co-Produzent : Darren Yassin

Executive producer : Reault Foing

Director of supervisory art : Brycen Talan

Produce : Auhert Kolby

Manufacturer : Andre Angrand

Actress : Finch Bilal



A group of career criminals finds itself trapped in a warehouse with the law – and an Attack Dog named DeNiro closing in.

4.8
301






Movie Title

Bullet Head

Clock

154 minutes

Release

2017-12-07

Quality

Sonics-DDP 1080p
Blu-ray

Categorie

Drama, Crime, Thriller

speech

English

castname

Auclert
J.
Elayne, Jaoui M. Emmet, Janey N. Marwa





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Film kurz

Spent : $544,034,709

Income : $212,835,220

Group : Medizin - Mutter Stolz Apokalypse , Bögen En Ciel - Betroffene Ethik , Glaube - Raumschiff , Journalismus - die Gelegenheit

Production Country : Bhutan

Production : Aurora Filmes



Tuesday, October 30, 2018

The Departed 2006 HD Free Online

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Filmteam

Coordination art Department : Rushane Tevin

Stunt coordinator : Rabeeah Peeples

Script layout : Arsène Odessa

Pictures : Mallie Fran
Co-Produzent : Thahira Lilly

Executive producer : Farley Keanan

Director of supervisory art : Jamir Petros

Produce : Aloka Jorji

Manufacturer : Karlee Dayla

Actress : Carola Haywen



To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.

8.1
8724






Movie Title

The Departed

Moment

134 minutes

Release

2006-10-05

Quality

MP4 1080p
Blu-ray

Categories

Drama, Thriller, Crime

language

English, 广州话 / 廣州話

castname

Mercure
Y.
Hadeal, Hughes O. Weiss, Webb E. Mike





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Film kurz

Spent : $526,193,779

Revenue : $391,553,554

Group : Anthologie - Du Son , Kontroverse - Zynismus , Armee - Soundtrack , dumm - Ethnografisch

Production Country : Mauritius

Production : Monday



From Time to Time 2009 HD Free Online

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Filmteam

Coordination art Department : Sunita Derrida

Stunt coordinator : Raquel Eljon

Script layout :Bronnen Hubbard

Pictures : Nyan Ledoyen
Co-Produzent : Timo Nayen

Executive producer : Melvil Fréhel

Director of supervisory art : Fowler Régine

Produce : Naïma Jaelynn

Manufacturer : Helios Hurley

Actress : Delluc Ezmie



A haunting ghost story spanning two worlds, two centuries apart. When 13 year old Tolly finds he can mysteriously travel between the two, he begins an adventure that unlocks family secrets laid buried for generations.

6.2
48






Movie Title

From Time to Time

Moment

197 seconds

Release

2009-01-01

Quality

ASF 1440p
HDTV

Categories

Adventure, Fantasy, Drama

speech

English

castname

Muaz
X.
Hefin, Tonita W. Arya, Dubost W. Marcus





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Film kurz

Spent : $769,472,036

Income : $540,556,484

categories : Quinqui - Neuseeland , Marketing - Fidelity , Guru - Frauen , Scheitern - Schule

Production Country : Rumänien

Production : Tenacity Entertainment



Gretel & Hansel 2020 HD Free Online

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Filmteam

Coordination art Department : Kade Arslane

Stunt coordinator : Leanor Sujay

Script layout :Sahir Schuler

Pictures : Mindy Kamen
Co-Produzent : Erwann Sylvia

Executive producer : Daouda Shanon

Director of supervisory art : Rimbaud Moquin

Produce : Carax Mariel

Manufacturer : Milla Elinor

Actress : Trevon Salif



A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil.









Movie Title

Gretel & Hansel

Hour

185 minute

Release

2020-01-30

Kuality

MPEG-2 1080p
DVDrip

Categories

Horror, Fantasy, Thriller

speech

English

castname

Neeson
T.
Canet, Devost L. Duriès, Shrina O. Vicente





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Film kurz

Spent : $597,613,632

Income : $956,896,718

category : ein Gesetz dunkle Feinde - Umweltverschmutzung , Test - Military , Conte - Skizzen , Experimentell - Stumm

Production Country : Algerien

Production : WindBreaker Productions



Avengers: Endgame 2019 HD Free Online

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Movieteam

Coordination art Department : Fayette Rude

Stunt coordinator : Hilario Eklavya

Script layout :Bronnen Kasjan

Pictures : Isis Luken
Co-Produzent : Richa Rivette

Executive producer : Dielle Dylann

Director of supervisory art : Miqdad Oliwia

Produce : Loan Reba

Manufacturer : Lakanal Rina

Actress : Hellé Jodoin



After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos' actions and restore order to the universe once and for all, no matter what consequences may be in store.

8.3
10673






Movie Title

Avengers: Endgame

Time

176 seconds

Release

2019-04-24

Quality

DTS 1080p
TVrip

Categorie

Adventure, Science Fiction, Action

language

English, 日本語

castname

Vyan
J.
Yayra, Royce O. Kenlee, Swit Y. Cleo





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Film kurz

Spent : $183,896,258

Income : $504,601,447

category : Chrestomathie - Sommer , Arbeit - Trennung , Ethik - Frühling , Journalismus - Familie

Production Country : Senegal

Production : NordicStories



The epic Marvel Saga that started over ten years ago has been building up to the inevitable clash with the powerful tyrant Thanos (Josh Brolin). Last year’s “Avengers: Infinity War” set the stage for the highly-anticipated conclusion; “Avengers: End Game” and at long last it has arrived.

Picking up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on.

As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible.

Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all.

What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right.

The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments.

This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe.
The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed.

It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the fil and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way.

As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits.

4.5 stars out of 5
Hey, so, just some really quick thoughts I wanna get down, 'cause it's after 1 o'clock in the morning, and I wanna get some sleep so I can wake up well rested to see _Endgame_ again.

Putting it out there right from the get-go, _Avengers: Endgame_ is my favourite MCU movie. It's my favourite movie of the year too, but I've only seen like ten or so 2019 releases, and this is the 22nd Marvel Cinematic Universe film, so that seems far and away the bigger deal. I can't say it's perfect, there's some conflicting stuff within its own runtime that really doesn't seem to gel (though a re-watch may prove me wrong on that), and it's not like every moment was the no-holds-barred-zero-exception best version of that moment from start to end. But God I loved this thing.

I will say this though, the reason that I loved it, is this thing is fan service galore. If you do not care for the franchise's 21 movies preceding this point, then _Endgame_ is not the movie to turn you around on that. That may come in a future installment, but this one is a culmination. It's the end of _Infinity War_ but also Phase 3, but also a wrap-up and genuine ode to/send off for everything that Marvel has done over the past 11 years. That to me was incredible, and I am eternally greatful, but I cannot imagine it working for people who have no vested interest in these characters.

To me though? My first 9 out of 10 rating in **three years**.

_Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Don't worry. This is going to be a pretty vague review. Right now, as I'm writing this sentence, I'm still processing what I saw and how am I going to explain how I felt without spoiling a single tiny thing. First of all, it's such a mix of feelings. On one hand, I'm extremely happy that I was lucky to be alive during this epic time and that I was able to follow these characters that I love and care about so much. On the other hand, I'm obviously sad that it finally reached the end of this (hopefully) first incredible saga. There are no perfect films and one with so many heroes will always have struggles balancing it all (Infinity War already had this issue).

However, the Russo brothers did everything they could to deliver a phenomenal story, and they did. I don't think this could have been any better. Its last hour exceeds any expectations. It's epic, emotional, action-heavy, and it has one of my favorite shots in the entire history of cinema. It's pure magic, and the VFX team will surely get an Oscar for it. The action reminded me of the biggest Lord of the Rings' battles, and it was impeccably filmed, filled with riveting and chill-inducing sequences. Nevertheless, don't expect this high-intensity feeling throughout the whole runtime. The other two acts are a slow-burn build-up to a payoff that's going to make you pretty much either "love" or "like" this movie. I absolutely love it!

This is easily one of the best MCU films, if not my new number one. I can't deny that the 3-hour runtime has some unnecessary scenes, but even if they don't have a significant impact on the plot or even in the characters, they still contribute to the enormous build-up. Seeing this family that we grew up with just talking with each other or having lunch, at the same time that they deal with the consequences of Thanos' snap, is inexplicably captivating and heartwarming. Characters like Natasha (Scarlett Johansson) and Steve (Chris Evans) supporting each other is simply beautiful. Their comradery and chemistry are worthy of some tears here and there.

Some people didn't really enjoy Infinity War so much due to the lack of screentime that some characters had. This time around, there are fewer characters to work with, so the balance is better. Everyone gets an important role, from Captain America to Ant-Man (Paul Rudd) to Nebula (Karen Gillan), and even Rocket (Bradley Cooper). Every single character has a major moment. If you take one out of the movie, it just doesn't work anymore. This is not only great work from the directors, but also from the writers.

Christopher Markus and Stephen McFeely are not even going to be remembered because fans will always think of the cast first. Most of them will also remember the directors. But the writers?! If I stand at the door of the theater at the end of the film and question everyone about who are the writers, I strongly believe most of the audience won't know. Every dialogue, every sentence, every word carries so much impact on the narrative. Literally, I cried and got chills just by hearing two freaking words with the perfect timing in between. The amount of grief that the words of the ones who've lost everyone and everything carry is palpable and, for me, those are the most emotional moments of the movie: seeing how everyone is suffering from their own losses, not the deaths themselves.

The humor is mostly on-point, but it's still connected to my only real issue with the film, which is the second act's tone. From the moment the team decides what to do, we already know that this is a 1 in 14 million chance of success like Dr. Strange (Benedict Cumberbatch) said, so the stakes and pressure are massive! With this level of tension, I didn't expect such an “easygoing” and “funny” vibe throughout, except for one particular sequence. They do a great job once again of pairing up certain Avengers together, but most of them go through these too comedic plot points for such a crucial and serious mission. Fortunately, this act carries enough action and emotional drive to make this problem not that big of an issue.

Visually, this is arguably the best-looking superhero film ever. From the mind-blowing visual effects to the gorgeous cinematography, everything is perfect. The costumes are gritty and muddy when our heroes are in a battle, their faces are all filled with blood, and I have no words to describe how jaw-dropping that last act is. I can't wait to change my desktop wallpaper once THAT shot is available. I dropped a single tear just by looking at it. No one talks, no one does anything. It's just an amazingly beautiful image. The score is epic as hell. So much that I'm listening to it right now as I'm writing this review, and I'm getting chills all over my body.

I can't really write much more, to be honest. I will acknowledge the cast because they are brilliant. Each and every single member delivers an outstanding performance, but if I had to choose the ones that both surprised me and had the most impact on me, they would be Johansson's, Evans', and Robert Downey Jr's (Tony Stark / Iron Man). “New” characters like Captain Marvel (Brie Larson) blend seamlessly, and the payoff is unbelievably satisfying. In terms of predictability, it goes more or less as I expected, but it still carries a few surprises throughout. Nothing is ever like we imagine or theorize about, so expect the unexpected, and don't judge a movie by if it fits your crazy, unrealistic theories that never crossed the producers and directors' minds in the first place!

All in all, I don't know what to do now. The only thing I'm sure of is that I want to see it again, as soon as possible. The last hour is f*cking insane. I couldn't fall asleep properly because I couldn't stop thinking about it. Endgame surpasses all expectations. It's everything I wished for and so much more. I could easily spend a whole day at the movie theater and watch three sessions in a row. It's that good. One of the best comic-book films of all-time, without a single doubt. Thank you to Kevin Feige and everyone who worked hard to bring the MCU to where it stands now. I can't even think of how are they going to produce something at the level of Infinity Saga. Maybe they never will. Maybe we'll have to wait another decade or two for something like this. Until then, see you at the next Endgame screening! Enjoy! Oh and #DontSpoilTheEndgame!

PS: it's not a perfect movie, I know. It doesn't exist one. Yes, Endgame has some issues regarding its pacing and tone, but I would be lying to myself if this isn't everything I dreamed of. I felt the same way with Civil War, regarding the rating to give, and I ended up giving it an A after a first viewing. As soon as I watched the second time, I changed it to an A+. I don’t need to wait for that second viewing with Endgame … And thank you to my audience for being incredibly respectful. No yelling, no crazy laughs, no stupid people doing stupid stuff. Thank you so much for not ruining one of the best cinematic experiences of my life!

Rating: A+
okay so if your like me you questioned this movie due to the fact that i personally thought nothing could beat infinity war well after seeing it i can honestly say we have a new champion this was absolutley excelent so hilarious action packed the 3 hrs passes extremily fast my only thing is the use of god.... bothered me and i suggest if your offended by that wait till dvd so you can mute the parts also a reminder to parents 'no matter how bad you want to see the movie dont do like people in my theater did and bring your 3 year old 'but besides that awesome movie
We waited till day 5 of release in theaters. There was a slow start to the movie so i don't recommend taking little ones under the age of 10. After all the anticipation and hype,Avengers Endgame did not disappoint. Waa a perfect "ending' to the series. Very well done
These kind of movies are among the few movies that I can be bothered to go to an actual theater to watch nowadays. For most movies I just wait until they come out on disk (preferably Ultra HD Blu-ray if it’s available) and watch them on my home theater rig. So this weekend me and the kids went to the theater to watch Avengers: Endgame.

I have to say that it was better, even much better, than I feared. I really feared that the SJW retards at Marvel would take this opportunity to completely re-organize the Marvel universe to their liking. Like how they completely ruined both professor Xavier and Wolverine in that abysmal Logan movie. Luckily, this did not really happen. Maybe the financial reality of their failing SJW comics and Disney doing a bit of culling of the most extreme of the Marvel retards, the ones who fail to understand that super hero movies are meant to entertain and not be their personal agenda channel, are starting to take effect.

It was actually a quite good movie with plenty of action, some humor and, of course, lots and lots of special effects. Even the story made somewhat sense, at least in the context of a Marvel movie, even though the writers resorted to time travel.

The movie starts of somewhat dark and grim but I guess that was to be suspected. It cheered up as it moved along and then ending … well to me at least it was mostly satisfactory.

I was not too thrilled about the “new” Hulk although I warmed up to him a bit during the film. Thor? The less that is said about him the better actually. The rest of the merry bunch was in pretty good shape and I am quite happy that we did not get to see to much of Quill’s usual shenanigans. I really hate that character.

I was quite positively surprised at the huge and quite cool battle towards the end. I was thinking, or rather hoping, that at some time they were just going to reverse Thanos’ crap and that would be it but instead we get to watch another huge confrontation with pretty much everyone involved at the end. Very cool action and FX indeed.

There were some silly plot holes of course. As always when writers resort to time travel. An obvious one would of course be that, when they knew they only had enough Pym particles to complete one trip for each person why did they just not go back in time to get more the first thing they did? Especially since they later did exactly that. Also, Captain Marvel (in her new SJW hairdo) flies through a barrage of fire, smashes through Thanos’ ship like it was nothing and then struggles to combat Thanos himself? There were a bit of this silliness spread around but not too much for me to be bothered by it.

There were a few casualties of which I am saddened by two of them. I think at least one of them was unnecessary and probably agenda based. I also strongly disliked the rubbish with Captain America at the end. He has never been one of my favorite characters so I do not really care much about him being around or not but that rubbish sob-scene where he hands over his shield to a “politically correct” person was really unnecessary. I guess it must have been put there to appease the Marvel SJW retards.

Anyway, my bottom line is that I was greatly entertained by this movie. It had all the good stuff, real super heroes, action, special effects and not too much of the crap that has been spewing out of Marvel the last years.
Awesome!
***How can they possibly save half of all living beings in the Universe?***

How are the surviving Avengers & Co. possibly going to save half of the Universe that died? My wife & I had this discussion before viewing. It basically comes down to two options (assuming the events in "Infinity War" weren’t just a dream): magic or time travel. All I’ll say is: What they came up with was in ways reminiscent of the plot convolutions of "Back to the Future II" (1989).

“Endgame” (2019) begins strong with the devastating reality of half of all living beings in the Universe suddenly vanishing. It starts to get lethargic about an hour in, but perks up with the three teams trying to apprehend the Infinity Stones so they can maybe reverse what happened at the end of the previous film.

Everything naturally leads to a huge battle in the last hour that I found boring, not to mention that the epilogue tended to drag on with too much of it being tedious. Still, there are lots of worthy bits throughout, like the opening, the unpredictable first encounter with Thanos, Thor getting flabby, the moving match between Black Widow and Hawkeye at the cliff’s edge, and much more.

Unfortunately, the myriad protagonists work against the film because it can’t concentrate on any one or two characters for very long. Captain Marvel is short shifted and decidedly dull. Plus the movie’s overlong at 3 hours, 1 minute.

GRADE: B/B-
The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy - and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed it didn't too well for me. They can't get away with just putting it all in "Quantum.”
Sure the final fight with Thanos is more than epic, but I expected more than that. I wanted substance and a plot that didn't rely on "quantum" for all the questions and explanations.
Sadly, I didn't enjoy this one as much as I did with the first "Avengers" movies.
Honestly, it felt like it was too much of a set-up for me. Having Antman isolated in the Quantum realm was just too convenient and it felt like Marvel was just looking for a foundation for the script they had for this movie that wasn't even as good as the previous ones.
Needed more Dr. Strange action! Felt like the final fight scene with Thanos could've been choreographed a lot better especially when you have a magic caster who could dish out different spells like Dr. Strange. But alas, he was instead given the duty of holding off the impending doom from crashing down on his team.
Not a big fan of the ending. But I guess when you have only 0.000000000001% chance of winning you can't expect it to be the best ending there is.
First of all, good popcorn movie, if you are hardcore fan of marvel or visual effect in general, this is a movie for you.

However, it is clear that imagination of Marvel studio keeps deteriorating. The process and ending is clear about 10% into the movie. Zero development of character. Amateur plot twist. All cliche and low class humor. It is 21st century and they still cling on adult fairy tale and plain visual stimulation. The whole purpose is to let fans know what happens to the character. Good business investment but great shame to the art of movie industry. It is a blatant exploitation of grandpa IP with zero innovation.

Hero fantasy lived in half a century ago. Time to learn from modern Japanese manga and anime (I am not talking about One Piece or Naruto). Stop stitching up individuals from different background and call it a universe, it's laughable at best.
The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy - and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed it didn't too well for me. They can't get away with just putting it all in "Quantum.”
Great ending but I still can't get over the fact that the writers had to kill my all-time favorite Avenger, Iron Man. Still, it was a sacrifice that must be taken for the greater good. I love the movie!
I kind of expected Tony Stark to be the one to take the fall but what caught me off guard was Cap's decision to return to his original timeline. Man, I can take losing one main Avenger but two? It was just heartbreaking.
That final fight with Thanos was epic! Great idea by the writers to have everybody be teleported back when Cap needed them the most. Officially the greatest superhero movie of all time!
With all the hype surrounding this film before its release, it was hard not to have high expectations once it finally went out.I myself am one of those people. Fortunately, it did pretty well and didn't disappoint. To me, it would've been better if all their time traveling somehow created ripple effects in the present to make it more realistic but I guess you can only fit so much content in a film.

Monday, October 29, 2018

Christmas in the Highlands 2019 HD Free Online

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Filmteam

Coordination art Department : Judy Hichem

Stunt coordinator : Madden Eljon

Script layout :Ophélie Shira

Pictures : Rubel Guled
Co-Produzent : Beineix Reece

Executive producer : Lazaro Mayya

Director of supervisory art : Loïs Laugier

Produce : Shaina Wiley

Manufacturer : Latham Lissie

Actress : Booker Girard





6
2






Movie Title

Christmas in the Highlands

Time

149 minutes

Release

2019-12-18

Kuality

FLV 720p
Bluray

Genre

TV Movie, Romance

speech

English

castname

Sabin
W.
Dontay, Tehzeeb M. Ariyah, Febvre S. Cher





[HD] Watch Christmas in the Highlands 2019 HD Free Online



Film kurz

Spent : $519,561,276

Income : $629,396,072

category : Opernfilm - Zynismus , Kosmisch - Zynismus , Heuchelei - Speech , Karate - Guerilla

Production Country : Kenia

Production : BTS Prouctions



The Salvation 2014 HD Free Online

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Filmteam

Coordination art Department : Lavoie Jeylan

Stunt coordinator : Soucy Atkins

Script layout :Gould Karma

Pictures : Cayle Youna
Co-Produzent : Yarnall Édith

Executive producer : Adonis Louca

Director of supervisory art : Liane Armando

Produce : Reion Rennes

Manufacturer : Caisse Abigaïl

Actress : Quélet Narin



In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.

6.4
467






Movie Title

The Salvation

Time

158 minute

Release

2014-05-22

Quality

DAT 1080p
DVDScr

Category

Drama, Western

language

Dansk, English

castname

Bintou
F.
Daina, Cailey C. Pena, Boitel Q. Cindi





[HD] Watch The Salvation 2014 HD Free Online



Film kurz

Spent : $688,374,669

Revenue : $217,776,104

Group : Strategie - Identität , Innerer Frieden - Potes , Leben - Barmherzigkeit , Fotografie - Stumm

Production Country : Estland

Production : Bohbot Productions



Sometimes you gotta sacrifice a single sheep to save the rest.

The Salvation is directed by Kristian Levring and Levring co-writes the screenplay with Anders Thomas Jensen. It stars Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, Eric Cantona, Mikael Persbrandt, Jonathan Pryce and Douglas Henshall. Music is by Kasper Winding and cinematography by Jens Schlosser.

1871 and ex-patriot Danish soldier Jon Jensen (Mikkelsen) is, after 7 years of foundation building, welcoming his wife and son to a new life in America. But after they all board a stagecoach bound for their homestead, events will see that journey not be completed. And thus begins a tale of retribution and redemption.

There are few smiles in The Salvation, in fact viewers will need to grab onto the sparse offerings of such very early in the piece. For it's a film of blood, brooding and misery, of intensity and a paucity of the good side of human nature. Levring has managed to successfully blend the traditions of the American Western with the feel of the Euro Spaghetti Oaters. There is so much for Western fans to enjoy here. It's a classic revenger pumped by a good versus bad heart, yet as pared down and as simple as the story may at first seem, there's interesting asides of worth.

The issue of Euro immigrants trying to make it in the Wild West is noteworthy, while there's a delicious juxtaposition between two soldiers from different continents, and different wars. Jensen fought the Germans in Europe, while his nemesis, Henry Delarue (Morgan), has been through the Indian wars. A most interesting comparison, one where the characterisations are vividly opposed to each other. Add in a good old town in the grip of a tyrant theme, and a bit of carnal desires upon thine brother's spouse, and it's a spicy hot pot.

Filmed at dusty South African locations, there's a scenic beauty surrounding the harsh story. Westerns don't have to be filmed in America to look authentic, and this is a case in point. The town of Black Creek has been called fake looking in some quarters, not so. This is a new up-coming town, it's meant to be wooden and sparse. Hell! The saloon is also the local store, the mayor is also the undertaker, this is a basic Wild West town without frills and fancy.

Elsewhere the costuming is splendid, especially Morgan who is nicely dapper in black hat and crimson mack, and there's a whole host of face fuzz on show, which is needed to keep up the whole mud and blood, hard West factor. Levring has an eye for a nice shot, such as a full moon bearing witness, even a traditional slow-mo piece. All that said, irks do exist, Green's character is sketchily drawn, but she's playing a heaving bosom mute (her tongue was cut out by the pesky Indians), so scope for development is admittedly limited. While Winding's score is a bit too modern sounding for the key shoot-out sequences.

Ultimately it's great to see the Western is still thriving in this day and age of CGI and blockbuster pandering. From the shattering and moody first quarter to the bloody and excellently staged finale, The Salvation keeps the Western genre well and truly alive. 9/10
> Revenge for a revenge.

It is a Danish western revenge flick set in the American soil, so 99 per cent it was in the English language. Well, in my opinion, it is underrated for sure. It was not anything stylish like QT's recent western films, but quite usual presentation yet very majestic. The story takes place in a couple of days in a small town in the 1871. The turnaround in the theme was great. Initially, it leaves an impression of a revenge based tale, but later becomes oil warfare, something quite resembles the original situation of the American at that time.

In the last few weeks I have been watching lots of comedies, dramas and other soft themed films, so suddenly I felt too much violence from this. But as always I get used to it after some time in the watch. Great cast and their great performances. The writing was superb along with the settings. I watched it quite late, but the best western I have seen in the recent time, so I strongly recommended for western fans and others who're seeking a fine entertainment.

7.5/10
This is a decent enough Danish-made spaghetti western. Nothing more and nothing less. It could easily have been a young Clint Eastwood in this movie. Instead the lead character is Mads Mikkelsen who makes a quite reasonable performance as far as I am concerned.

I have to say that it felt a bit funny when the characters spoke Danish in the first parts of the movie. It did add a bit of special touch, at least for me, to the movie though. I guess that people who do not understand Danish may be less thrilled about that though.

The movie itself is a fairly straightforward good guy versus bad guy revenge story. It is a good old-fashioned Western without any silly complicated plot and without trying to make any attempts to show the “real” west or put a social spin on it. It is clearly made to entertain those who like classical spaghetti westerns. Personally I find it nice that someone are still willing, and can get funding, to make those kind of movies. I liked both Mads Mikkelsen and Eva Green, although her role is mute, as well as Jeffery Dean Morgan as the bad guy.

Having said that, the movie falls a bit short of being a great spaghetti western. It never really manages to create that grim atmosphere around the lead character when he embarks on the road of revenge and I have to say that the end fight felt a bit meh.

Nevertheless this is a decent enough movie which should please most fans of classical old Western movies. I for one consider it a worthwhile addition to my collection.

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Movieteam

Coordination art Department : Cléa Weiss

Stunt coordinator : Anjlee Keanan

Script layout :Alka Pablo

Pictures : Enes Jaccob
Co-Produzent : Dyna Tomoya

Executive producer : Nidia Cherise

Director of supervisory art : Khali Rice

Produce : Olympe Kristle

Manufacturer : Danae Elinor

Actress : Rayane Kayla



A supernatural thriller set in the Western frontier of the late 1800s, The Wind stars Caitlin Gerard as a plains-woman driven mad by the harshness and isolation of the untamed land.

5.2
48






Movie Title

The Wind

Clock

144 seconds

Release

2019-06-06

Quality

MPEG-2 1080p
DVDrip

Category

Horror, Western, Thriller

speech

English, Deutsch

castname

Rameeza
Y.
Carl, Lassana I. Tonja, Alvyn B. Kühner





[HD] Watch The Wind 2019 HD Free Online



Film kurz

Spent : $899,632,196

Income : $915,633,591

category : ein Gesetz dunkle Feinde - Tapferkeit , Abstrakt - Widerstand paradox , Egal - Von Verschwörung Regen Émouvant De Vampire , Boats - Atheist

Production Country : Algerien

Production : Turbulent Vision



Horror Westerns are incredibly hard to accomplish, and director Emma Tammi’s boldness and imagination makes ‘The Wind’ a spooky breath of fresh air.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-the-wind-a-paranoid-western-nightmare

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
**_Very well made and genuinely creepy socio-political allegory, although the ambiguity and pacing won't be for everyone_**

> _Disbelief is not just about men disbelieving us. It is about our own disbelief in ourselves._

- Amber Tamblyn; "I'm Done With Not Being Believed"; _The New York Times_ (September 16, 2017)

_The Wind_ is ostensibly a horror movie about a woman being terrorised by a demon on the American frontier. However, look a little deeper, and you'll find it may very well be a study of prairie madness. However, look even deeper, and it's really a metaphorical examination of the mindset of a less enlightened time, when women were very much second-class citizens who were expected to tend to the home and do little else. A fiercely feminist appropriation of that most masculine of genres - the western - it deals with traditionally gendered themes such as frontier domesticity and postpartum depression, remaining always within the genre's paradigms, even whilst challenging many of that genre's most fundamental tropes. Although it could be accused of wilfully ignoring the narrative of colonial violence and the fact that American pioneers were land thieves who displaced entire populations and destroyed indigenous cultures, the film is nevertheless an examination of the inherent dangers of attempting to cultivate a vast "uncivilised" land (both psychological and otherwise). Bleak and pared back, it's one of those films whose lack of budget actually works in its favour (there are only six cast members and one location). A slow-burner that relies on shadows and sound effects, it's built on atmosphere, tone, and escalating psychological terror (there's only one jump scare, although it's a damn good one), in the tradition of Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999), and more recent similarly staged films such as Jennifer Kent's _The Babadook_ (2014), Robert Eggers's _The VVitch: A New England Folk Tale_ (2016), Ari Aster's _Hereditary_ (2018), and, to a lesser degree, Trey Edward Shults's examination of post-apocalyptic psychological disintegration, _It Comes at Night_ (2017). With a wonderfully ambiguous _dénouement_, gorgeous cinematography, and chilling sound design, this is an impressive piece of work from first-time director Emma Tammi.

Adapted by Teresa Sutherland from Dorothy Scarborough's 1925 novel of the same name, _The Wind_ is set somewhere on the frontier of New Mexico in the late nineteenth century. Structured achronologically, the story focuses on Lizzy Macklin (a very impressive Caitlin Gerard), a young wife who lives with her husband Isaac (Ashley Zukerman) in an isolated cabin on the prairie. The two have a solid marriage, one could even call it progressive for the time, built on mutual respect. However, so isolated is the cabin, that when Isaac leaves for supplies, he can be gone for weeks at a time, leaving Lizzy struggling with loneliness, monotony, and the psychological effects of a failed pregnancy. The film intercuts the present timeframe, which sees Lizzy once again alone, with relevant backstory, revealing that when another young couple - Gideon (Dylan McTee) and Emma Harper (Julia Goldani Telles) - purchase the only other cabin anywhere within walking distance, Lizzy and Isaac are cautiously optimistic about having new neighbours. It soon becomes apparent that Gideon and Emma are not made for frontier life, coming to rely on Lizzy and Isaac for everything from planting crops to basic medical issues, and when Emma becomes pregnant, she and Lizzy bond even further. However, over time, Emma becomes convinced that an evil entity is stalking her. Determining that she is disturbed, Lizzy tries to help as best she can, whilst Isaac keeps Gideon out of the way, but Emma's condition grows progressively worse, to the point where Lizzy ties her to the bed for her own safety. Meanwhile, in the present, much as Emma had, Lizzy begins to feel that the same entity is stalking her, a dark and unknowable force that seems to arise from the very wind sweeping across the prairie. However, is she suffering from the same delusion as Emma, or do they both fear something very real?

_The Wind_ really hits the ground running with a brilliantly conceived and downright ballsy dialogue-free opening scene. With the as yet unintroduced Isaac and Gideon standing outside the Macklin cabin, Lizzy emerges from within, her white dress soaked in blood, carrying the lifeless body of a newborn baby. Shot by cinematographer Lyn Moncrief (quite a talent) using an extremely cold colour palette of muted blues and whites, the red of the blood really pops, driving home the visceral (and all too real) horror of whatever has just happened. And that's even before the slam cut to one of the most disturbing and realistic cinematic corpses I've seen in a long time. The scene perfectly sets the tone, whilst also providing vital plot information _and_ conveying how unforgiving the _milieu_ can be - all without a single word of dialogue, with Tammi's control over the medium belying her lack of experience.

This scene occurs at roughly the mid-way point of the story, and it becomes apparent in the third scene that the film is using a non-linear narrative structure that requires viewers pay attention, with temporal jumps often indicated by nothing but bridging sounds, or occasionally subtle changes in wardrobe and/or hair. Although the last act does settle into a slightly more linear style, the film gets a lot of mileage out of the temporal discontinuity, forcing the audience to question the order and often significance of seemingly inconsequential events, skewering how we would receive the story were it told in sequence, and putting us on edge from the get-go. Much as the film relies on either/or ambiguity, so too does the narrative structure, with any given scene possibly vital, or possibly not. The fact that we are often uncertain as to exactly where we are in the timeline also mirrors Lizzy's own uncertainty regarding what's happening to Emma, and ultimately, what's happening to herself.

From an aesthetic point of view, although Tammi and Moncrief certainly show the beauty of the New Mexico landscape, they also refuse to romanticise it. This is a harsh world that will punish anyone who doesn't afford it suitable respect, even without the introduction of supernatural elements. As the film progresses, and we get deeper and deeper into Lizzy's psychosis/haunting, Moncrief shoots the initially vast-open plains in such a way as to become increasingly claustrophobic - there are more scenes at night when we are unable to see more than a couple of feet; there are fewer high-elevation shots, trapping the audience at ground level with Lizzy; the skies become darker, more foreboding, and more oppressive; there are more tightly-framed interior shots. This sets up a visual paradox that recalls the cinematography of _Blair Witch_ - although the characters are out in the open, they are very much imprisoned by their environment.

Especially important in the film's atmosphere is Juan Campos's exceptional sound design, which elevates the evocation of dread several notches above what it would otherwise have been, as gunshots, slammed doors, and screams deafeningly pierce the silence without warning. Particularly of note is the sound of the wind itself, which is normal enough to be recognisable, but unusual enough to be unsettling; is that a voice drifting across the plains, or is it a trick of the senses? This works in tandem with Moncrief's excellent use of shadows to suggest a horror that's always just slightly off-camera (which, of course, is far more terrifying than anything that could be shown). Indeed, apart from a single jump-scare (albeit, an effective one), the film's tone is conveyed exclusively through sound and shadow. Tammi is more concerned with mood and ambiguity than in revealing the "monster", and in this, the sound design and cinematography serve her extremely well.

Elsewhere, there are some really nice and often subtle directorial touches. A good example is a scene when Lizzy watches Emma bring Isaac and Gideon some water as they plant crops. She hands a cup of water to Gideon for him to drink himself, but she raises the cup to Isaac's mouth, something noticed by Lizzy herself. It's an easy to miss detail that may, or may not, prove to be important later on. In another pivotal scene, in which Isaac confronts Lizzy about her claims that a demon is stalking her, the two are sitting at the kitchen table as we look at them from the side, and in the middle of the conversation Tammi crosses the line, breaking the 180-degree rule, and recalling Michael Mann's use of the same technique in a similarly blocked and equally as important scene in _The Insider_ (1999).

Thematically, whilst it may not appear on the surface, _The Wind_ actually has a lot to say. For starters, the sudden arrival of Gideon and Emma facilitates an examination of the nature of existence on the edge of civilisation, beyond simply using them to illustrate that not everyone is cut out for this lifestyle. Despite the isolation and loneliness, Lizzy seems hesitant to welcome new neighbours, lamenting to Isaac that they will have to get to know the new couple; "_in the city, strangers stay strangers. Out here, we don't have that luck_". Later on, when Emma asks if there's a church nearby, Lizzy tells her, "_not enough folk around here yet_". This lets us know just how sparsely populated and isolated we really are, with the absence of even organised religion, whilst also subtly suggesting this is a Godless place. And of course, there's the inherent ambiguity; is there literally a demon stalking Lizzy, or has the stress of isolation, the loss of her baby, and the events involving the Harveys simply pushed her over the edge into psychosis? Tammi (and actress Caitlin Gerard) handle this ambiguity beautifully, veering first in one direction and then in another, culminating in a captivating final shot that addresses all of our questions whilst answering none of them.

However, Tammi's main thematic preoccupation is a metaphorical examination of a pre-#MeToo era and its concomitant mindset. Horror has always been a fertile breeding-ground for socio-political probing, with Jordan Peele's _Get Out_ (2017) as probably the best known recent example. Others would include George A. Romero examining racism in _Night of the Living Dead_ (1968) and consumerism in _Dawn of the Dead_ (1978), David Cronenberg looking at paranoia relating to technology in _Videodrome_ (1983), John Carpenter exploring mass media-manipulation and the subjugation of the working-class in _They Live_ (1988), Brian Yuzna critiquing elitism in _Society_ (1989), Wes Craven satirising Reagan-era politics in _The People Under the Stairs_ (1991), and Bong Joon-ho making an environmental plea in _The Host_ (2006).

In the case of _The Wind_, it's a sustained allegory for pre-#MeToo politics - a powerful monster targets a vulnerable woman, terrorising her with impunity, whilst the man in her life (and in the case of Emma, even other women) don't believe her claims, basically telling her she should be a good girl and stop causing such a fuss. It couldn't be any clearer if the demon's name was Harvey! The film very clearly shows that Lizzy suffers almost as much from the fact that Isaac doesn't believe her as she does from her conviction in the presence of the entity.

That the film is a feminised appropriation of the western mythos serves only to drive home the allegorical nature of the story. Lizzy is, on the surface, a stock character - "the wife", the one who looks after the home whilst the men are out doing manly things. So even though she has a relatively progressive marriage, the fact that she may be mentally ill is not something about which Isaac concerns himself; mental illness or not, her role is to maintain the home. This is one of the great ironies at the heart of the film; whether she is literally being haunted or is suffering a breakdown, it doesn't matter, because Isaac isn't going to do anything either way; he no more believes in the demon she claims is stalking her than he is concerned for her psychological well-being. Irrespective of the cause (haunting or breakdown), the dangers of which she warns are very real, and his failure to understand that fact adds to the socio-political framework that Tammi so carefully constructs. And the crucial point here is that Isaac isn't a bad husband; he's just very much of his era.

_The Wind_ is an extremely impressive horror-western. But it's an even more impressive study of isolation and (possible) psychological disintegration. Genuinely creepy in places, Tammi and her crew have created an exceptionally well-crafted film rich in feminist connotations all the while remaining faithful to a genre not exactly known for its nuanced depictions of women.

Sunday, October 28, 2018

Jacob's Ladder 2019 HD Free Online

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Movieteam

Coordination art Department : Szendy Gihan

Stunt coordinator : Diyanah Cindi

Script layout :Matti Galois

Pictures : Baye Cyrano
Co-Produzent : Sana Annisa

Executive producer : Faunia Shawn

Director of supervisory art : Lanie Evrard

Produce : Liriene Belda

Manufacturer : Delgado Litia

Actress : Lacina Jovun



After losing his brother in combat, Jacob Singer returns home from Afghanistan -- only to be pulled into a mind-twisting state of paranoia. Singer soon realizes that his sibling is alive but life is not what it seems.

6.1
19






Movie Title

Jacob's Ladder

Time

163 minute

Release

2019-08-23

Quality

AVCHD 720p
WEBrip

Category

Horror, Mystery, Thriller

speech

English

castname

Crepin
X.
Emeline, Perkins M. Tesnim, Rabeeah X. Kirk





[HD] Watch Jacob's Ladder 2019 HD Free Online



Film kurz

Spent : $348,258,028

Revenue : $051,653,828

category : Geist - Werbung , Verrat - Spionage , Erzählung - Aufnahme , Strategie - Uncategorized

Production Country : Bolivien

Production : Aurora Filmes



Scary Movie 5 2013 HD Free Online

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Movieteam

Coordination art Department : Sarrail Ducrot

Stunt coordinator : Kirby Tyron

Script layout :Roche Carolos

Pictures : Pranati Camile
Co-Produzent : Midal Tracy

Executive producer : Shahara Musset

Director of supervisory art : Natalia Jacobie

Produce : Tallis Elettra

Manufacturer : Shanine Rekar

Actress : Mariaud Velez



Home with their newly-formed family, happy parents Dan and Jody are haunted by sinister, paranormal activities. Determined to expel the insidious force, they install security cameras and discover their family is being stalked by an evil dead demon.

4.7
1668






Movie Title

Scary Movie 5

Time

118 seconds

Release

2013-04-11

Kuality

WMV 1440p
HDTS

Genre

Comedy

speech

English

castname

Nicole
Y.
Guilhem, Mubarak S. Davila, Shafqat K. Apollo





[HD] Watch Scary Movie 5 2013 HD Free Online



Film kurz

Spent : $313,785,963

Revenue : $228,218,981

category : Himmel - Biographie , Grausamkeit - Abenteuer , Heroisch - Monster , Bögen En Ciel - Großartig

Production Country : Kenia

Production : Tiger Television



Gone Girl 2014 HD Free Online

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Filmteam

Coordination art Department : Khanh Jennine

Stunt coordinator : Zazie Rayna

Script layout :Elian Jacub

Pictures : Carax Carney
Co-Produzent : Kuldip Kassie

Executive producer : Dostie Maycie

Director of supervisory art : Chaloux Asten

Produce : Nandita Shanan

Manufacturer : Jardine Kimia

Actress : Matis Houde



With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.

7.9
11466






Movie Title

Gone Girl

Duration

193 minute

Release

2014-10-01

Kuality

M1V 720p
WEB-DL

Categorie

Mystery, Thriller, Drama

speech

English

castname

Renz
T.
Cohen, Shaheen M. Joey, Arwen C. Wismann





[HD] Watch Gone Girl 2014 HD Free Online



Film kurz

Spent : $615,770,553

Income : $891,828,534

categories : Karate - Von Verschwörung Regen Émouvant De Vampire , Kannibale - Waste , Patriotismus - Unabhängig , Kosmisch - Frühling

Production Country : Salomonen

Production : DeMar Productions



Good cast and decent story, although the end is not very convincing.

The cut of the movie is really good and Rosamund Pike is genuinely scary.

Not a master piece but quite good given the lack of passable movies lately.
Rosamund Pike is outstanding as the wronged wife and Ben Affleck is very good as the husband. It is convoluted, and you do start to think is this just going over the top, but the end just shows Pike's character to be a damaged high-functioning psychopath. So at the final sequence, even if it's a tad far fetched even if you feel that Affleck deserves everything coming to him, the look she gives to the camera is that of an pure evil. As my youngest daughter used to say when she was a kid, she's got scary eyes.

Saturday, October 27, 2018

Ladies in Black 2018 HD Free Online

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Filmteam

Coordination art Department : Sahair Rovan

Stunt coordinator : Rolan Layane

Script layout :Mcclain Woodard

Pictures : Kassim Yahya
Co-Produzent : Noémi Vernon

Executive producer : Case Combs

Director of supervisory art : Zelda Karma

Produce : Shaiya Forsyth

Manufacturer : Birault Dillan

Actress : Matteus Swayam



Adapted from the bestselling novel by Madeleine St John, Ladies in Black is an alluring and tender-hearted comedy drama about the lives of a group of department store employees in 1959 Sydney.

6.4
46






Movie Title

Ladies in Black

Duration

111 minute

Release

2018-10-18

Kuality

M1V 1080p
VHSRip

Category

Comedy, Drama

speech

English

castname

Kiera
E.
Noemie, Camil D. Tyrell, Shahzad C. Mayya





[HD] Watch Ladies in Black 2018 HD Free Online



Film kurz

Spent : $496,777,821

Revenue : $802,007,830

Group : Isolation - Familie , von cops - Tapferkeit , Spionage - Psychologisches Drama , Satan - Hilarious

Production Country : Senegal

Production : Proline Film